:ESSAYS
"The Entropic Envelope,"
Leonardo, 2019 52:5, 455-460.
"Homelessness and Self-disclosure: Evans Chan's 'Minor' Cinema,"
Tony Williams (ed), Postcolonialism, Diaspora, and Alternative Histories: The Cinema of Evans Chan
(Hong Kong University Press and Columbia University Press, Hong Kong, 2015).
"Constraint, Cruelty and Conversation"
Mette Hjort (ed.), Dekalog: The Five Obstructions
(London: Wallflower Press, 2008).
"The Playful and the Serious,"
Game Studies: The International Journal of Computer Game Research 6: 2 (December 2006).
"The Fragmented Commonplace,"
Jenny Lau (ed), Multiple Modernities: Cinema and Popular Media in Transcultural East Asia
(Temple University Press, 2002).
"The Emergence of the Hong Kong New Wave,"
Esther Yau (ed), At Full Speed (Minneapolis: University of Minnesota Press, 2001).
"Organizational Hegemony in the Hong Kong Cinema,"
Post Script (Fall 1999).
"Questions of Chinese Aesthetics: Space and Narrative Form in the Cinema of King Hu,"
Cinema Journal (Fall 1998).
"Ideology and film culture,"
Richard Allen and Murray Smith (eds), Film Theory and Philosophy
(Oxford: Oxford University Press, 1997).
"Hong Kong popular culture as an interpretive arena: the Huang Feihong film series,"
Screen (Spring 1997).